The Yamaha GS-2 was released as a follow-up to the GS-1, Yamaha's first commercial FM synthesizer. It was introduced in the early 1980s, shortly after the GS-1, as a more affordable alternative.

Virtual Yamaha GS-2

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YAMAHA GS-2

Introduction

The Yamaha GS-2 was released as a follow-up to the GS-1, Yamaha’s first commercial FM synthesizer. It was introduced in the early 1980s, shortly after the GS-1, as a more affordable alternative.

Key Specifications

  • Manufacturer: Yamaha
  • Release Year: Early 1980s (after GS-1’s 1981 release)
  • Type: Digital FM Synthesizer
  • Synthesis Type: FM (Frequency Modulation)
  • Price: Less expensive than the GS-1 (which retailed for £12,000)

Features

  • Operators: Likely 2-operator FM, similar to GS-1
  • Presets: Preset instrument, likely using magnetic ‘lollipop’ sticks for voice storage
  • Editing Capabilities: Limited or none, similar to GS-1

Sound Characteristics

While not as exceptional as the GS-1, the GS-2 was described as “not too shoddy” in terms of sound quality. It likely retained some of the FM synthesis characteristics of its predecessor, offering unique digital tones that were distinct from traditional analog synthesizers of the time.

Historical Context

The GS-2 was part of Yamaha’s early commercial FM synthesizer line, introduced in a period when digital synthesis was still a novelty. It represented Yamaha’s attempt to make FM synthesis more accessible to a wider market by offering a less expensive alternative to the GS-1.

Market Impact

Despite being more affordable than the GS-1, the GS-2 still struggled to capture a significant market share. It’s believed that Yamaha sold only slightly more GS-2 units than the approximately 100 GS-1 units sold.

Legacy

The GS-2, along with the GS-1, paved the way for Yamaha’s future FM synthesizers, including the hugely successful DX series. While not as well-known or widely used as later models, it represents an important step in the evolution of FM synthesis technology.

Conclusion

The Yamaha GS-2 stands as an early example of commercial FM synthesis. While it didn’t achieve widespread success, it was part of Yamaha’s pioneering efforts in digital synthesis that would eventually lead to more successful and influential instruments.