To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
The technical storage or access that is used exclusively for statistical purposes.
The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
This Post Has 2 Comments
There are 2 versions of the Korg CX-3. The first from the 1970s was used by the Rolling Stones. I bought one based on that fact, and it served me well for years. It did not have MIDI, but there were 2 versions: the single manual CX-3 and the dual manual BX-3, which I saw once in Chicago in the late 1990’s. I ended up selling the old CX-3 because I wanted MIDI, and years later ended up with the newer model CX-3. It offered some non-realistic B3 voicings that were interesting, and the display was much nicer than the display-free first version. I did not feel that it had the proper “crunch” of distortion so I kept my Roland VK-8 instead.
I have the two manual BX-3 (the later digital one). I turned off the Leslie sim, and ran the instrument into a physical rotary speaker. I got the sound I needed out of it. I didn’t use the EX mode much but it could be nice if trying to copy the extra tonewheels that the H and X Series Hammond had.